October 2013, Page 2

Alcega: Full-Circle Cloak

singlewoolcloak Silk cloak. This pattern takes 4 5/8 of a yard of 22 inch wide fabric.
The herreruelo was a simple day cloak accessory. It is theorized that it was self-lined and was truly only a half cloak. After measuring the fulness that is shown in paintings of this style, I have found the half-circle style to be less common.

Red silk herreruelo cloak

Made by Mathew Gnagy

cloakofsilkj1

cloakofsilkj1e

Herreruelo cloak of silk. There is a large piecing in this piece that corresponds to the piecing in the draft. This full circle cloak was cut from only 3 yards of fabric, 60″ wide.


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Alcega: Men’s Cassock Pattern

Alcega's cassock pattern. It requires 44 inches of 66-inch wide of wool cloth, or 44 inches of  55-inch wide cloth rash. Note that the back skirt is cut-in-one with the back body and the front is cut separately

Alcega’s cassock pattern. It requires 44 inches of 66-inch wide of wool cloth, or 44 inches of 55-inch wide cloth rash. Note that the back skirt is cut-in-one with the back body and the front is cut separately

An alternate layout for a cassock of Woolen cloth. This pattern takes 50 inches of 66 inch wide fabric.

An alternate layout for a cassock of Woolen cloth. This pattern takes 50 inches of 66 inch wide fabric.

cassockofwoolclothj1

This is the first cassock I ever made from the pattern

 

cassockofwoolclothj1b

You can clearly see what a glorious drape it has through the back. Note, the lining can be cut separately at the waist and hemmed in carefully and tacked to the interlining. This will prevent the lining from sagging.

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Alcega: Men’s Jerkin Pattern

Alcega's jerkin of wool cloth. This takes 50 inches of 66-inch wide fabric. Note that the only real difference between this garment and Alcega's cassock is the separate cut of the skirt in back. Because of this, it is often difficult to tell the difference in portraits unless you see the back of the subject. Village scenes are particularly useful for this.Alcega’s jerkin of wool cloth. This takes 50 inches of 66-inch wide fabric.

Note that the only real difference between this garment and Alcega’s cassock is the separate cut of the skirt in back. Because of this, it is often difficult to tell the difference in portraits unless you see the back of the subject. Village scenes are particularly useful for this.

Grey Wool Alcega Jerkin

Made by: Mathew Gnagy

Jerkin from Alcega, Cut to his exact proportions, deep peascod in place. Note that the skirt is a full circle at the hem. The wedge style sleeves are shown in portraits being used as a closed sleeve...as they are here, or as a hanging sleeve.

Jerkin from Alcega, Cut to his exact proportions, deep peascod in place. For stouter men, I use less padding in the peascod, but keep in mind, that the peascod shape is NOT the same as a fat tummy. The proportions are specific and intentional. Peascods look better on a slimmer guy.

Jerkin back view

Jerkin back view. Note that the skirt is a full circle at the hem. The wedge style sleeves are shown in portraits being used as a closed sleeve…as they are here, or as a hanging sleeve.


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Alcega: Womens’ high-bodied gown and women’s mantle/veil

Simple trained gown of wool. It seems that the the Saya is only referring to the skirt with the train, and the Cuera is denoting the doublet and the style of sleeve is also referenced. This pattern takes 4 7/8 yards of 66" wide fabric.

Simple trained gown of wool. It seems that the the Saya is only referring to the skirt with the train, and the Cuera is denoting the doublet and the style of sleeve is also referenced. This pattern takes 4 7/8 yards of 66″ wide fabric.

This is a pattern for a silk veil. I used this draft to cut and create the silk wired veil in the following photos. It takes 8 yards of 22" wide fabric.

This is a pattern for a silk veil. I used this draft to cut and create the silk wired veil in the following photos. It takes 8 yards of 22″ wide fabric.



Purple Silk Gown and Wired Veil

Made by: Mathew Gnagy

Gown and wired veil. All parts of this gown are made to alcega's measures. This woman was a flawless fit model size for the standard Alcega patterns

Gown and wired veil. All parts of this gown are made to alcega’s measures. This woman was a flawless fit model size for the standard Alcega patterns

womenssilkmantlej2

This wired veil is made from the previous pattern.


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Clothing the Elizabethan Poor

A beggar woman, symbolizing poverty. Trevilian Miscellaney, 1602

A beggar woman, symbolizing poverty. Trevilian Miscellaney, 1602


There’s not much available on what the penniless wore in the 16th century. They had hardly anything of value and rarely showed up in pictures of any kind.

Fortunately, there are some sources available. I’ve just put one of them online:

Excerpts from the account books of the Tooley Foundation: Poor Relief in Ipswitch, 1580s-1590s

Ipswitch was lucky to have a generous and civic minded merchant, Henry Tooley, donate his substantial estate to helping the poor of the town when he died. The Tooley foundation maintained hospitals and poorhouses, worked to employ the poor, housed, fed and clothed those with nowhere else to go, and–most admirably of all–kept precisely detailed accounts of what they spent all of their money on.

The records date from the 1580s and 1590s. A variety of clothing items were bought and made for men, women and children at the various houses and hospitals.


Peasants harvesting grain. Trevilian Miscellaney, 1602

Peasants harvesting grain. Trevilian Miscellaney, 1602

Women received the following items, paid for by the Tooley foundation: petticoats, waistcoats, frocks (aka gowns), smocks, shoes, knit hose, aprons, coifs, kerchiefs,leather shoes and neckerchiefs. Men received shirts, doublets and hose, jerkins, ruff bands, knit hose, long coats and leather shoes.

A woman would receive either a “peticote and a wastcote” or “one frocke”, but not both; and for the men, they almost always received “one jerkine and i payre of bryches”, or “one cote”, with doublets mentioned only once. Which raises the interesting possibility that, in this case, a jerkin was either a) a synonym for doublet, or b) worn directly over the shirt.

The fabrics used for these items were cheap and practical. (more…)